Brian Selznick's new book is a captivating work of fiction that young his own to tell, and now here's a big one: “The Invention of Hugo Cabret. Parents need to know that Brian Selznick's poignant, magical Caldecott Medal-winning The Invention of Hugo Cabret is set in a Paris train station and features a. Hello there. My name is Brian Selznick and I'm the author and illustrator of The Invention of Hugo Cabret. I was born in in New Jersey. I have a sister who is.


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Many are inspired by or make reference to film - The Boy of a Thousand Faces is about a boy obsessed with the actor Lon Chaney and old black and white monster movies.

The Invention of Hugo Cabret - Wikipedia

The Invention of Hugo Cabret is also steeped in cinema, but here things took an unexpected turn. So I made a radical decision; I cut all the descriptive passages and replaced them with drawings.

He uses carefully chosen models to pose for the compositions, photographs them, hugo cabret brian selznick then draws with a soft pencil on watercolour paper which gives the line a grainy sensitivity.


He enlarges them, "to loosen them up". The book's reproductions retain all the subtle textures of the drawing, hugo cabret brian selznick all the tonal variety, ranging from intense velvety blacks to the kind of airy luminosity you find in the conte crayon drawings of Seurat, another of Selznick's heroes.

Most of the action takes place within the walls of the railway station where Hugo secretly lives and works.

  • Interview With Brian Selznick: The Inside Story on The Invention of Hugo Cabret | Scholastic
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There are shades of Edward Gorey's quirky technique in these claustrophobic, closely hatched interiors. Selznick makes cunning use of perspective, and the angles and shadows created as the pages turn add extra depth to those long dark corridors and hidden passages.

The Invention of Hugo Cabret Book Review

It's a crepuscular, lamp-lit world that constantly evokes the flickering spirit of the silent film, and it's the perfect background to the eerie awakening of the automaton. At this point in the conversation he plucks from hugo cabret brian selznick bag the up-to-date magic of a small computer, and shows me a video clip of a 19th-century mechanical figure.

It hugo cabret brian selznick mesmerising in its self-contained clockwork grace, and its astonishing ability to dip its pen in the ink in order to draw and write poems.


The museum didn't take care of them and they were destroyed and thrown away. I imagined a boy finding one of those automata, and hugo cabret brian selznick how the story began. He was a great artist who lost everything and was rediscovered at the end of his life and celebrated once again.


His use of magic, his belief in the power of imagination, and the joy he experienced as he created his art seemed to me the kinds of things that kids would understand. What kind of research did you do while you were creating The Invention of Hugo cabret brian selznick Cabret? I read a lot of books and I traveled to Paris three times to research the book.

The Invention of Hugo Cabret : Brian Selznick :

Also, when I'm researching a book I like to talk to people who are experts on the subjects I am writing about or illustrating. I talked to lots of experts for this book.

I talked to a young man who owns a clock shop in New York that his father founded many years ago, and I talked to scholars of film history. Hugo cabret brian selznick also talked to a man named Andy Baron who is a mechanical genius.

A subtle world in black and white

Like Hugo, he's able to fix just about any kind of machine, and he gave me lots of advice about how machines work, what they are made of, and what tools Hugo would hugo cabret brian selznick needed to fix them. Do you see yourself in any of your characters? Which one s and why?